Crank yankers special ed i got mail series#Fans of the original series will have their own favorites and feel miffed if those were not included in this collection, and yes, Special Ed's "I've got mail" is included - probably as an example of a gag being beaten into the ground with a sledge hammer. The definition of "best" is certainly rather flexible over sixty calls are included in this collection. The results are definitely uncensored think of the anatomically correct puppets as PG-13 rated Muppets. and then dramatizing the resulting audio with various puppets. This show was built around the concept of an assortment of youngish comedians making prank calls to various more-or-less unsuspecting individuals, customer service centers or businesses. Though some digital compression is noticeable in parts, the show’s puppets look great-their colors are rich and contrast is top-notch-and sound almost as good (if the people getting cranked don’t sound as good as the crankers, that’s to be expected)."For those who have managed to skate through the last couple of years and remain blissfully unaware of Crank Yankers, or Comedy Central, or even the concept of cable television, the following explanation is necessary - everyone else can skip right to the next paragraph. Curiously, the lame musical performances (from Tenacious D and Ween) that physically bring many of the puppets together less successfully evoke a sense of community in Yankerville than the regular scenic transitions and Laugh In-style non sequiturs, from the Sesame Street potshots to the “Confucius Says” jokes. In the first season, the creators were clearly trying to figure out the best way to piece the show’s skits together. My favorite cranks from the show’s first season (in no particular order): the perpetually horny Cammie (Lisa Kushell) toys with a sad and lonely computer nerd after one of her drives goes bust Gladys (Wanda Sykes) accuses a mechanic of having “pinched a loaf” inside her car “Batman’s Nemesis” (Jordan Rubin) asks a clueless New York City operator for the address to Batman’s lair Special Ed (Jim Florentine, a master of comedic timing) calls a computer technician to report that he got mail on his computer a woman at a beauty parlor secretly tells Hadassah (Sarah Silverman) that she can cure her case of the crabs with plain yogurt, advice the cranker interprets as a “a battle of good and evil in my vagina” and Hadassah a phone call to a freaky Oprah fan to leak information about the abuses she and her co-workers incur at the hands of her celebrity boss. If you can tell a lot about a person by the way they answer the phone, then I wonder what you can tell about a person by what sketches they prefer. Some of the cranks may be mean-spirited, but I can’t think of another comedy on television this concerned with testing people’s tolerance levels and compassion for others. It’s amazing what you can tell about a person by the way they answer and respond to a crank caller, observations the creators of the show brilliantly incorporate into the program’s aesthetic (one particularly hard-assed crankee has a picture of Ronald Reagan next to his phone).Įvery week, the creators miraculously tap into the social problems that separate the caller and the person being called, and every response is a reminder of the way we connect (or don’t) with one another. Like the town of Yankerville where the show’s puppets reside, the phone calls may be fake but the embarrassments they elicit are very real. Why puppets? Maybe because the producers of Comedy Central’s Crank Yankers, one of the funniest programs on network television, wanted to comment on the ease with which they can pull people’s strings.
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